Thursday, September 13, 2012
Wednesday, September 12, 2012
Of Holy Whores and Hellcults
Bewitched - Atrocities In A Minor |
Being the timely fellow I am, I just bought their 2004 EP, consisting of 3 studio recordings (1 new song and 2 re-records) and 3 live tracks from 2002. No surprises to be found here; the new song "The Devil's Children" is a pleasant thrasher that's right in line with their post-debut material. Not extraordinary, but one of their better songs overall. The rest of the EP isn't bad quality-wise, but it's honestly just filler. Those looking for live Bewitched material would be better served by Hell Comes to Essen unless you are hellbent on hearing "Rise of the Antichrist" or "Born of Flames" live.
Comparing the newer live and studio versions of the Diabolical Desecration tracks to the originals, they aren't that different, but they're a good summary of the band's overall sound change; after Blackheim's departure, there seemed to be a greater tendency towards rock'n'roll-based song construction, and some of the black and classic metal subtleties of the debut were lost to a thrashier sound.
*Yes, there were non-demo "retro" releases prior to '96, but let's face it--Gehennah were in another league entirely and a lot of the Aura Noir mCD is undiluted black metal. Neither of them had the level of reception Bewitched did anyway. I recall Infernö's Utter Hell coming out at the same time as Diabolical Desecration, but again, it didn't have the same impact (most people hated it. I didn't, go figure), so whichever came first is irrelevant.
**
Tuesday, July 31, 2012
Sunday, July 22, 2012
Sunday, July 15, 2012
Ad Baculum (aka Whereabouts of: The original Mystifier vocalist)
Large amounts of Hyoscyamus Niger and Seven Churches are a winning combination. |
Ad Baculum - Blackness Doctrine 2011 |
There's no real semblance to old Mystifier, and even the vocals are unrecognizable compared to those on Wicca--a heavy accent is more apparent here and they remind me a bit of a less evil/tormented version of the vocal style from the first Necrodeath LP. They're also pitch-shifted in spots to give a more demonic effect.
Musically this is no-frills, fast-tempoed black metal of the mid-late '90s style. There are no attempts to be lo-fi, bestial, old-school, overly blasting, or overtly Scandinavian. There are no detrimental factors here, but I found nothing to get terribly excited about, either. I was initially optimistic about the mid-paced intro to "Templarian Kingdom of Terror" and was hoping for some old Greek BM worship, but it just segued into the same stuff that's on the rest of the album.
Am I biased due to this man's musical pedigree? Undoubtedly. But face it, even for its generic-ness, this far exceeds what could be reasonably expected after such a long passage of time. The musicianship is decent enough for better things, though, so let's not dwell in mediocrity. Assuming Ad Baculum is still active, why not slow down and emulate old Varathron and/or pre-Göetia Mystifier?
Friday, June 29, 2012
Whereabouts of: That Dude from the Judas Priest Documentary
No, no, not that guy. He's dead.
Yeah! LEATHERCAP AND PERILOUS NATIONS SHIRT. HELLYES!
Now, before going further, for those of you unfamiliar with it, I heartily recommend the excellent Dream Deceivers: The Story Behind James Vance vs. Judas Priest documentary (alternate title: Dream Deceivers: How Drugs and an Overbearing Religious Mother Can Cause You to Live Out the Rest of Your Miserable Life with a Fried Egg and/or Melted Kraft Single Slice Draped over the Chasm in What's Left of the Forehead on Your Deformed Face).
The documentary, about Priest's subliminal message trial, includes some footage of local youths speaking about the trial and on growing up in dysfunctional households or with less-than-optimal lifestyles. While this stuff is ultimately just a marginal part of the documentary, early on we see a fellow who races over for a Halford photo op and sings "Better By You, Better Than Me" badly in his car, and he gets a fair share of attention--one Erich Granzen. So what happens after you've been in a group home and recited some of the lyrics to "Suicidal Failure" on public television? Let's find out.
He seems happy with his lot in life. More power to him.
Wednesday, June 13, 2012
Females are Clueless About Metal, Vol. 1.
If you don't get it, start reciting the titles of Sepultura releases in broken English. |
"I'm deluded enough to think being a contributor to a low quality magazine deserves a trip to Glamor Shots." |
*Below-average quality 'zine from the mid '90s that tried to cover a too-wide spectrum of rock and metal. Chris Forbes was one of their BEST contributing reviewers which should immediately raise a warning flag. Other less-than-shitty contributors include Keith Mensen of Mystic Force and Wayne Klinger from Half Speed fanzine. Especially funny were try-hard "ball" puns stated throughout the issues ("band XYZ** has balls," "band XYZ is really on the ball, "ball one"--you get the picture) and the pictures of band members holding up copies of Ballbuster as if that aided credibility. A solo-era Joey Belladonna clutching your publication is a rousing endorsement, no doubt about it.
**Out of respect for Nasty Savage, and by extension, the pornographic industry, XYZ will be used in lieu of XXX to refer to a generic, nonspecified band here.
Look At This Fucking Cover! Check Out These Wicked Song Titles!
Sounds of Death wasn't my favorite 'zine by any means, but I liked it well enough. With the exception of Metal Forces, which will always be in an untouchable class by itself, SOD was probably the best of the larger, professional metal magazines done in English. The major reason is that it was a more cohesive read (most of the time), because David Horn didn't rely on a staff of contributing writers with varying skills and tastes. It wasn't perfect by any means, though--lots of formulaic interviews, one of the worst review rating systems of all time due to the overwhelmingly positive skew (what, do you get 6-7 skulls just for submitting something?), and Horn's love of using cliched similes and metaphors in reviews.
Here's a Virus review out of the "From the Vault" section of issue #7--I think this is the best piece from the entire SOD run. The first three lines perfectly capture the days of blindly buying albums based on the artwork and outer layout alone. Whether you want to admit it or not, cool aesthetics can do a lot for an otherwise mediocre band. IT'S THE CAMPY CHARM OF METAL.
The "From the Vault" features may seem like no big deal at a time when the depths of metal obscurity are constantly excavated for reissues, reviews, and downloads, but seeing Energetic Krusher and Living Death mentioned in the mid-'90s--in a US publication with decent circulation, no less--was very satisfying.
Here's a Virus review out of the "From the Vault" section of issue #7--I think this is the best piece from the entire SOD run. The first three lines perfectly capture the days of blindly buying albums based on the artwork and outer layout alone. Whether you want to admit it or not, cool aesthetics can do a lot for an otherwise mediocre band. IT'S THE CAMPY CHARM OF METAL.
The "From the Vault" features may seem like no big deal at a time when the depths of metal obscurity are constantly excavated for reissues, reviews, and downloads, but seeing Energetic Krusher and Living Death mentioned in the mid-'90s--in a US publication with decent circulation, no less--was very satisfying.
Monday, June 11, 2012
The Heralds of Oblivion Vol. 1
Mysterious Van Nuys warehouse filled with unsold Roughage pocket print longsleeves? I can only hope. |
Visual Aggression. |
What Happened To 'Em - Recently reformed
Let that be a lesson: don't be so quick to judge an overweight negro with a topknot. |
What Happened To 'Em - Marnece Stewart went on to a number of, uh, musical projects. ONES WHICH SHOULDN'T INTEREST YOU IF YOU'RE GONNA REGULARLY READ THIS BLOG. Also, prior to Catalepsy, Marnece was briefly in Mausoleum (same one that released the Summoning of the Damned demo on Wild Rags, though he wasn't in the band at that time). Yes, Metal-Archives mentions a post-Catalepsy project called Hateseed, but I know nothing about this.
Here's some live footage, sans Marnece:
Didn't know Joshua was such a |
What Happened To 'Em - Joshua Jagger Heatley went on to death metal mediocrity in Infamy before dying. The other three members went on to Engrave, with Emilio Marquez being the most visible due to drumming gigs with Sadistic Intent and
Here's a live clip of their best song, complete with overzealous audience member interruption.
I gave her the smack that she deserved/And the bitch/Called the cops/Who protect and serve
I doubt a hooded wiggerjacket and uninverted cross were the kind of notoriety they were going for. |
What Happened To 'Em - No idea.
The compilation's least Hispanic band. |
What Happened To 'Em - Chris Williams died after driving off a cliff in 2001. Judging by their later musical careers, the other 2 guys seem to have an affinity for black metal of the cheap'n'fast variety. As a side note, I seem to recall Chris Barnes wore a Mutilage shirt in a pic or video. Anyone have anything to corroborate this?
While four of the five bands here never progressed past the demo stage, it's still a solid compilation that documents the underground during death metal's most commercially explosive time. Nothing groundbreaking here, but by the same token, the bands avoid all of the major pitfalls such as socio-political crybaby lyrics, non-metal jazz/rock/rap/core influences, overtechnicality, monotonous blasting with sterile musicianship, overuse of atmospheric effects, etc.
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